ENGLAND-ON-SEA
England-on-Sea is drawn from a nationwide tour of the English coast – a series of road trips to all points of the English coast, made over several years. Living and working from the back of a Ford van, I set out to explore the coastal landscape and how we interact with it and to each other.
I was brought up in the late sixties in the coastal village of Fawley and spent my childhood sinking into oily mud, picking my way across shingle and rock pooling. It was with these childhood memories that I returned to the seaside to discover how it is changing economically, socially, and culturally.
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England-on-Sea is a detailed exploration of the seaside, a place so embedded in our nation’s psyche and national identity that it reflects our changing population and behaviour. Focussing on the collective rather than the individual, England-on-Sea highlights English peculiarities and eccentricities as well as the more mundane scenes of everyday seaside life.
The project set out to record the feelings of belonging and permanence that the coast evokes, as well as its constantly evolving cultural diversity. We live in a country obsessed with owning land, but the coast offers an unexpected strip of common, democratic space, open to all and free from the exclusivity that characterises much of England.
During the research for these road trips it was evident that beneath the veil of neon lights and brightly decorated seafronts a darker reality exists. The English coast has some of the worst levels of deprivation in the country. Suicide, addiction, self-harm and obesity are all well above average here. The seasonal economy and the lack of quality employment all contribute to the hardship.
The ‘road trip' and the coast, have long been an inspiration for documentary photographers and artists alike, both on these shores and abroad. Many of these have provided inspiration for this project, including Stephen Shore, Simon Roberts and L S Lowry.
My approach was to decide the composition, set up the camera with a fixed viewpoint, and settle down for the great British public to populate the scene.
After a pandemic that threatened to break many of the constraints that bind our societies, this was an opportunity to record our re-emerging population.
Against the backdrop of Brexit, COVID, the climate emergency, and economic recession, I felt this was a particularly pertinent moment to record our nation at leisure.